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Last year’s nests stand empty as the bare trees await blossoms and leaves, yet the air is full of birdsong and spring will soon be here. In the weak morning sunlight tiny shoots are covered with dew that was frost. Cold nights still can burn these hopeful sprouts, so I haven’t moved the mulch back. I can feel the longing for new beginnings that spring offers, but I recognize care must be given to creating the space from which to launch those beginnings.

As Valentine’s Day approached, the word “tenderness” kept coming to me—there is just too little tenderness in the world—with each other and with ourselves.  Within me there are dueling challenges of pushing forward with a dream and allowing it to gestate and grow until it is ready to launch. Timing is everything… Taking my cue from the robins and crows, I decided to make a nest to honor and hold sacred that which feels particularly tender in my life right now. (I keep thinking of my favorite Otis Redding song Try a Little Tenderness. LOL)

Using a wire mesh frame (and some patience) I wove a 7 inch mandala with shaggy multi-colored pastel yarn. Then I collected bits of moss and lichen from my walks with the dogs in the woods, and found curly willow branches in the backyard. Using green pastel shaggy yarn I wove those items into the nest with care for their delicacy. (Construction Hint: slightly damp lichen and twigs are more pliable and easier to work with.) I wrote affirmations on handmade paper and sewed them into the interior. Like a crow I added bits of shiny beauty to my nest—bits of iridescent and gold glittery ribbon, pearls, beads, and shells. I dug in my odds-and-ends treasure chest and found a beautiful rose ribbon to add.

Finally I finished the nest with feathers and added some special stone “eggs” to represent issues of deep tenderness (painful and joyful) in my life. I found the project required patience and a light touch as each piece found its niche, and fit organically together. Creating the nest was deeply meditative for me, like a three-dimensional mandala, and I kept circling back to different areas and weaving in a few more twigs or a bit more ribbon to help it find its shape. It reminded me that starting something new requires some structure and form, but also enough elasticity to accommodate modifications and additions.

The nest is a sweet reminder to be good to myself and my care for my dreams. The new moon for me today is all about creativity honoring what most needs TLC (Tender Loving Care) so it can grow and thrive in the coming months. What in your life needs to be honored with special care as it prepares to hatch? What tender treasures do you want to give a special home?

TenderNests Playshop on Saturday, March 17, 2012 from 9-Noon, ArtSpace/TaborSpace 5441 SE Belmont, Portland, OR.

Pre-registration required. Please register early! Limited to 8 participants. Go to www.ArtCreatesHope.com for more information or to register.

Mandala of Support

My mother used to say to me when I was indignant or petulant, “Life is not fair.” Amen to that. It is really not fair when one’s beautiful child is gravely and unexpectedly ill. There are so many ways in which families are challenged with an illness like childhood cancer. Mothers often spend weeks with their child in the hospital and have many sleepless nights praying, holding vigil, encouraging and comforting their child while supporting others in their family. There may be financial concerns as well, with medical bills and reduced work hours because of caretaking. All of this and more takes its toll, and mothers in particular are great at caring for others, but not themselves.

“Blissful Escapes” was created by Sharla Vellek in 2010 as a way to give a break to brave moms of children whose lives have been impacted by cancer. The weekend is free to the mothers and they are treated to time at the beach, great organic food, massages, haircuts, and art activities. Most of the services and materials are donated, including mine. This was my second year to facilitate a mandala workshop with these mothers as a way to connect more deeply with their creativity and spirit. Making mandalas is also easy and a great tool to enhance meditation and help relieve anxiety.

Mandala of Balance, Love & Grace

To start the workshop, I invited the mothers to select a “card of intention” for the weekend. I offered Angel Cards™, Grace Cards™ and Self-Care Cards™ as a way to hone into what they most needed from their time together. (I selected the Angel Card™ “Flexibility” (LOL) which was a perfect reminder because I needed that in more ways than one having hurt my back before the retreat!) To create a “sacred space” I played soft meditative music in the background and the room was filled with candles and flowers thanks to Sharla’s generous volunteers. Using Dr. Judith Cornell’s theme of “Nature as a Healer”, I asked the moms to think of a place where they feel at peace in nature.

Mandala of "Balance" & transformation

We created the mandalas on black drawing paper with colored pencils, gel pens, iridescent oil pastels, and stencils for those who wanted some help with drawing. Dr. Cornell wrote that drawing a mandala on a black background emphasizes bringing forth the light despite dark circumstances. This is a particularly powerful metaphor when facing a medical challenge like cancer. The possibilities for artistry are endless and the results are quite beautiful. Some of the moms incorporated the word from their cards into their mandalas visually or through writing their word on the border.

When the mandalas were completed, we placed them together in a sort of “gallery” on a window sill, and then gathered together to admire the mandalas and talk about their meanings. I find that it is important to give the artwork a mini-gallery setting to honor it and help participants see their artwork from a new perspective. While each mandala was very personal and a unique expression of the struggles and hopes that the mothers have faced with their children, several themes emerged: finding balance, relying on faith, and receiving support.

Mandala of Faith

As always happens with mandala workshops, I am completely amazed at how deeply thoughtful the participants were in sharing their experience. It is truly an honor to facilitate and witness, and I come away feeling like there is a deep reserve of wisdom in each person that only needs a creative outlet to emerge. Even for people who claim they aren’t creative, making a mandala can tap into that wisdom. I’ve heard from some of last year’s participants that they still have their mandalas up where they can see them every day and be inspired by them. I hope that this year’s participants will also find a place to admire their mandalas every day and find joy and peace in the months to come.

Mandala of Gratitude

(Sorry, because of the very personal nature of the LSP, no photos are available for the public.)

It has been a while since I’ve posted on my blog, but there has been a lot to process and the New Year presents new opportunities. The gift of working with others using the LSP is that I’ve rediscovered some things about myself and reclaimed some of my own creative juice. More on that after a bit of background…

These past six months I’ve written a workbook for the Life Spiral Process™ to support the work I’m doing with individual clients and small groups. The first draft of the workbook was completed in early September in time for the start of a “beta LSP group” of women who were willing to give me feedback as they used the workbook over the course of twelve weeks. (“Beta” is a technology term for “test group”.) They read about the concepts of the LSP with examples from my own life and they used the exercises and tasks in the workbook to help them complete some of the “homework” required between sessions. Between sessions we had individual conference calls to clarify any questions or concerns of each participant.

Our bi-weekly group sessions lasted about three hours and were focused on sharing with each other our life events and our Life Spirals as they were unfolding. Being a witness to other participants’ Life Spiral and stories was as powerful as sharing our own stories. We learn so much from each other through sharing and witnessing.  While each person’s life journey is unique, there are some points of similarity, too. Women in particular often tell me that after years of tending to other people’s needs or interests, middle-age feels a bit confusing because it is hard to know who the core self is. This is a wonderful re-discovery that can occur through the LSP and is an honor to facilitate and witness!

In the beta group participants were encouraged to share as much as was comfortable chronologically, but in some cases that didn’t seem to be the best approach, so flexibility was needed in my facilitation. Participants used the workbook as a guide, but sometimes their own guidance trumped whatever my workbook offered. During each of our bi-weekly sessions, we set our intentions (or asked for clarity)for our experience together through a time of selecting supportive cards, reflective writing, and meditation. What was always astounding (and moving) was how participants received exactly the message(s) that they felt they needed. Because the LSP is an intensive process requiring commitment and willingness to look deeply, setting intentions was important to feeling supported and on-track.

Even though it has been over six years since I completed my own LSP I found as the facilitator I was also re-examining what I learned by witnessing the group’s process and sharing some of my own stories. It is my experience that these discoveries keep coming, even after completion of the LSP. One of the key gifts of the LSP is finding the treasure of childhood joy in activities we may have forgotten we loved to do. Another is to discover patterns of behavior that either support or challenge our goals in life.

Case in point…A few weeks ago I wandered into a fabric store even though I haven’t sewn in over twenty-five years. I learned to sew when I was eleven and made most of my own clothes until I was about twenty-two. I’m not entirely sure why I stopped sewing except with three small children it was hard to find the quiet time. As I wandered through the fabrics I began to envision a queen-sized quilt as a Christmas gift for one of my sons and his partner. The “juice” of this idea sort of overwhelmed me but it compelled me. I have a life-time pattern of getting a creative vision for doing something which I have no idea how to even start.  Somehow I learn as I go, though, and I trust that about myself.

I began by asking questions of quilters and fabric salespeople. The people at several fabric stores laughed at me (literally) and told me there was no way I was going to complete the project by Christmas. That made me even more determined (another life-pattern—don’t ever tell me I can’t do something!) and I burned the midnight oil until Christmas Eve and it was finished. It wasn’t perfect, but the seams were mostly straight and my son and his partner were really impressed.

What I discovered was that I LOVE to sew, and I had completely forgotten this about myself! After some wobbly starts (including learning how to use my old sewing machine again) I became more confident and comfortable that I could complete it. I found the project grounding because of the concreteness of making something practical, yet also creatively satisfying. I probably will never be an expert quilter, but this experience felt like it opened a rusty door to a room of joy that I had long ago closed.  I am now planning my next quilt for my daughter’s birthday in February!

I also remembered something else about my childhood in creating the quilt: I loved to make stuff, especially as gifts. Sometimes they were successful and other times complete flops, but I didn’t care. It was great fun to create! As a kid I just wanted to have fun making and giving things away (usually making a lot of mess in my wake). When did the inner critic become so sensitive to whether or not there was appreciation for my gifts or even if they were worthy to give? The insight is that creative juice can’t be monitored for “reasonableness”—if it has passion behind it, then do it. Maybe it will work out, maybe not, but it will be an adventure and open up new worlds.

So I ask you…what fun activity door in your childhood longs to be opened in 2012?

Please let me know if you would like more information about participating in the next Life Spiral Process group. Look for the workbook to become more readily available after March.

~Testimonial from Stephanie A.~

“Kirsten is a very gifted writer, creator, and teacher. Her Life Spiral Process™class was wonderful in that it helped me to look back on my life not with fear and trepidation, but as a celebration. It showed me how to look at my life’s patterns and themes from a new perspective. I so enjoyed going through old pictures and talking with relatives about the past as well as really thinking about what I want from my future. Kirsten took time to work with me individually in helping to understand my life’s patterns. She is very patient and insightful.

I love looking at my Life Spiral board that I created and know it will be a piece that is ongoing. It has also been fun to share it with my family and creates another bond about our past and helps them think about their futures, too.

I would highly recommend a person to participate either individually or in a small group in any future Life Spiral Classes that Kirsten offers.”

The year prior to my fiftieth birthday I wrestled with my ambivalence at celebrating my upcoming half-century mark. I really felt my mortality knowing that at least half of my life was over and for sure my body would never be the same. Several friends, family members, and colleagues died that year reminding me that my own clock was ticking and I had to get on with any life dreams or changes I wanted to do. And I found I looked back with some regret at how chance and choice had diverted me from my true self or created heartache in my life or that of others. However, despite this somber introspection, I found myself looking at ways to celebrate my life instead of focusing on a sense of loss or regret. And because of art, it was the best birthday of my life (so far!)

The spring before my birthday, I took a class at my church on the opportunities and challenges to being a middle-aged woman. At forty-nine I was one of the youngest women in the class. At the beginning class we were given about an hour and asked to create a timeline of our life with major events and relationships marked on the timeline in a variety of colors (red for important relationships, orange for career choices, green for health events, and so on). We were told we could also add a photo or collage magazine pictures to the time line. While I think this was intended to be a simple way for participants to honor their life’s journey, the class facilitators really didn’t anticipate what a difficult experience it can be for some people to revisit their past and document it. For some people the past is both deeply private and painful. Several people left the class and didn’t return because the timeline was so triggering.

 I couldn’t do the project and I was really upset with trying to create a timeline in a group setting for several reasons:

  • There wasn’t enough time or thought given for the process.
  •  Creating a record of my life felt deeply personal to me, even sacred. I knew it could be both cathartic and celebratory, but to do it in a hurried way felt devaluing.
  • I also didn’t know the other participants and didn’t feel it was appropriate to share such personal information with them.
  • I don’t believe we live life linearly, so the idea of a timeline seemed like a wrong image. I’ve always thought life is more like a spiral that continues to unfold with themes, dreams and passions that continue to be revisited and retooled.

I went home that evening and brooded. Then I saw what I needed to do.  For the next several weeks I obsessively looked through old photos, made photo copies of them and other memorabilia, wrote down bits of memories and the dates they occurred, created a color scheme for documenting events,  and started to create my spiral. It took many, many hours, and yet once I started to create it, I felt I must finish it even though it felt daunting. It was both painful and sweet to revisit the various ways that challenges and relationships had shaped my life. I’ve kept journals most of my life, but this was a mostly non-verbal, visual process of accessing memory, which was quite different. I didn’t have a therapist or support person facilitating or witnessing my work on the Life Spiral, but it would have been very helpful. There were times it was very tough going and I could have used some guidance about how to proceed, or simply someone to witness the process with me and talk to me about it. So I don’t recommend doing this work without professional support.

After discerning what images and events to include (even those that were deeply private or embarrassing), I was confronted with a basic truth. My life has been mostly good and mostly full of joy! Yes, I’ve had heartache, but looking at the images from my life layered upon each other, framing the time-spiral of my life, I saw that it has been a very rich and joyful life. It was as if the Life Spiral itself was an aperture that opened my eyes to more Light, Color and Joy and diminished some of the negativity I felt about turning fifty. I could literally see I had far more to celebrate than regret!! Instead of ending the time-spiral at fifty, I added at least twenty extra years and included images of plans and dreams I still wanted to do, which was very empowering.

Then, for my actual birthday, I had a weekend-long party at the beach with friends, family and LOTS of art projects for them to do. With enough sunshine and margaritas, everyone tapped into their creative inner child and made new friends in the process! It was absolutely the best birthday of my life! But I really began celebrating when I started the Life Spiral Process and I owned the choices and challenges that had made me both resilient and grateful.

I’ve begun to facilitate the LSP with individual clients now. It is an intensive multi-session experience for those who want to look deeply at their lives and are willing to do the work involved to discover their personal journey. I provide the art materials and facilitate each session with questions and suggestions, and a lot of validation. Let me know several months in advance if you might be interested in this for your next birthday milestone.  I’m also exploring ways to make the LSP available more broadly to folks who I can’t meet with face-to-face. So, keep posted….this very well may be my next chapter’s work. I have new plans percolating…so the spiral continues!

(Sorry, because of the very personal nature of the LSP, no photos are available for the public.)

 

Touch Drawing of the Earth by Deborah Koff-Chapin at the 2010 Gathering on Whidbey IslandThis past week has seemed a particularly challenging period on the planet. This is an important time to focus on ways to center oneself, be of service to others, and send Light and prayers to all those who are suffering. There are many ways to use art as a tool to help move the emotions of anxiety, fear or dread out of the body, and invite compassion and spiritual awakening to replace them.  Touch Drawing™ offers a unique approach that allows the artist (and self-proclaimed non-artist) to move from one image to the next without judgment or expectation of a “finished product”, and can offer a deeply cathartic and meditative or even healing experience. It can also be a way to create “visual prayers” and messages from one’s spirit.

Deborah Koff-Chapin, the creator of Touch Drawing™, was in Japan presenting a workshop last Friday when the 9.0 earthquake struck. She and the workshop participants were safe, but they used the workshop as a way to draw inspirational and prayerful images for those who were not so fortunate. Please see more about her remarkable work at her website http://www.touchdrawing.com/index1.html.

In my workshops we always start with a 10 minute guided imagery meditation to help leave our daily concerns and invite deeper connection to our intuitive and spiritual side. In January I partnered with Carole Cotten-Figueiredo, LMT to offer an introductory workshop to Phoenix Rising Yoga and Touch Drawing™ which was very well received by participants. We spent the first hour guided by Carole to go inward and feel our bodies more fully through the yoga movements. With this increased awareness of ourselves we moved quietly into the Touch Drawing™ process, which I facilitated. The prompts I give in a Touch Drawing™ workshop also bring attention to how our physical and emotional bodies feel. On April 30 I will be collaborating with Cynthia Boelling, Certified Nia™ Instructor, to offer an introduction to a Nia™ Dance and Touch Drawing™ “playshop” to explore creatively moving our spirits. (See more information about this workshop below.)

The process of Touch Drawing™ is relatively simple, and that in itself makes it accessible to almost anyone. Basically, you need tissue paper, a malachite board (or other hard, smooth clean surface), water-soluble oil paint, and a brayer (roller).  Spreading the paint with the brayer can be very relaxing and feel like “wiping the slate clean” both figuratively and metaphorically. Place a piece of tissue paper over the board. Then quietly take a minute to breathe, feel your body’s wisdom, and move your fingers to create images on the surface of the tissue paper. The first few images might look like scratches or confused swirls as you move whatever emotions are stored in your body onto the paper. No need to be attached to how those emotions look; just roll the board blank, and do another picture. After several images, some of the more immediate anxiety about creating art or being in a room full of strangers melts away. Then you can start the deeper work…What is your spirit asking of you? What do you need to know, but haven’t acknowledged? What secret longing calls you? What prayers do you have for yourself or others?

Witness process

Take time after your session to look carefully at each image, ideally with another Touch Drawing™ participant, to witness the messages or gifts your right (intuitive) brain has for you. This is a powerful part of giving voice to those images. Recently I met with some of my women friends for an afternoon of Touch Drawing™ to help guide me in my current work. Each woman drew 10-15 images just for me as gifts from their loving and wise hearts. The messages of support and enthusiasm brought me to tears and I felt very blessed. They were, in a way, praying for and with me. I invite you to turn to art in these difficult times, and use it as a way to receive clarity and share your own prayers.

Introductory Nia Dance & Touch Drawing Playshop: Freeing Your Creative Spirit to Move ~ Saturday, April 30, 2011 9 AM – Noon

TaborSpace/Muir Hall 5441 SE Belmont, Portland, OR

This playshop will provide a meditative and joyful synergistic combination of dance and art in a unique format of two very special complimentary processes! Nia combines elements of yoga, tai chi, taekwondo, jazz and modern dance along with other healing, dance and martial arts– Nia reminds us to listen to our own body’s wisdom as we seek Joy within every movement. With a focus on PROCESS rather than PRODUCT, Touch Drawing offers people of all artistic and physical abilities an avenue of creative play, self-discovery, and non-verbal expression. The hands become the paint brush as images pour forth through the fingers! Participants will create dozens of drawings in this very freeing process. For Adult women & Teen girls aged 15+Limited to 14 participants. Cost: $30-45 Sliding scale

To Register: Contact kirstencarpentier@hotmail.com or go to http://www.meetup.com/Art-Creates-Hope/

On a snowy day like this one, it is hard to imagine delighting in painting outside although the winter landscape is beautiful. In thinking back to various spring and summer adventures, my inner artist has been happiest when I’m out in nature with my sketchbook, pencils or paints.  I don’t consider myself a hardy plein air artist like Monet or other impressionists (no snow-covered haystack pictures for me!), but I do find there is a playful spirit of adventure and discovery in capturing a moment outdoors that allows my “inner critic” to have a brief holiday.

I’ve been blessed with the opportunity to paint and draw in some amazing settings. Several years ago I spent two weeks in the Umbria region of Italy studying watercolor painting in little villages through the art school La Romita. www.laromita.org.  The La Romita grounds were themselves a works of art with plenty of plein air sketching material and bird song!

Olive oil jugs at La Romita Art School, Italy

Painting plein air in Italy with latte in hand!

After a delicious breakfast each morning we would set off for a tiny hilltop village or Roman ruins and spend the day sketching or painting. While setting up an easel sometimes felt awkward (especially with townspeople gawking or traffic concerns), keeping a sketch book handy felt very freeing. I started to get into the habit of having it with me at all times. I also felt less attached to the outcome of what I drew because I told myself it was just a quick sketch and no one had to see it! I used my sketch book as a sort of visual journal…private, uncensored, full of insights and personal metaphors. While I have a couple of paintings that I like from that trip, it is the sketch book I most cherish because it has an intimacy and immediacy that takes me right back to the richness of sitting under a 400 year old olive tree and drawing what I saw and felt.

"Empty Vessels Waiting to be Filled" at La Romita

Sometimes sketching along the way can be a great excuse to rest, enjoy the sun and soak in where you have been. One technique for doing this is to create an “Event Map” of a journey. At the top of a particularly steep hike on the Oregon Coast I paused to put on paper the experiences I had over the course of a couple hours. This wasn’t meant to be an accurate rendition of the hike or the landscape, but a visual journal of different moments along the trail that were particularly inspiring to one or all of my senses. In the Event Map is the encounter I had with a troop of Cub Scouts as well as the smell of spicy herbs underfoot. Represented on the map are all aspects of the trip, from the dark fern forest to the steep ridge at the edge of the ocean. I lay in a meadow below that ridge, ate an apple and re-created the hike on paper while it was still fresh in my mind. It was helpful that it was one of the most glorious April days I’ve ever experienced on the Oregon Coast and I wanted to linger. Having this small Event Map reminder of that day brings back to me the sweetness of the apple and the grandeur of the view in a way a photo can’t quite accomplish.

Event Map from Hike at the Oregon Coast

Last summer I went to a very special Touch Drawing™  retreat called the Gathering on Whidbey Island at the Whidbey Island Institute http://www.touchdrawing.com/5Events/Gather.html . The setting is spectacular (100 acres of woods, meadows and wild beauty) and we were encouraged to work outdoors whenever possible.  Touch Drawing™ requires a board, paint, tissue and brayer (roller), but a log or lap can substitute for a table. My favorite day of the week-long retreat was a trip to the beach where I spent several hours alone on a driftwood log in the sun looking over the Puget Sound to the Olympic Range and creating one Touch Drawing™ after another. There was no wind and the day was spectacular. As I tuned into the glorious environment, I felt myself shift into my own place of wildness and beauty. My drawings became freer and bolder, and I let myself fully enjoy the sensuality of the experience. It was really hard to leave that spot when I had to meet the rest of the group to get a ride back to the Whidbey Institute. Later I spent more time alone on the property at the edge of the woods and the labyrinth drawing and again found myself reluctant to go back to the studio. There was something about being out in nature that brought out my own nature in my work.

Touch Drawing at the beach

So I look forward to the next sunny day and a few hours in a lovely and secluded spot. Perhaps I will just have my sketch book with me. Perhaps I’ll have my Touch Drawing™ supplies. Perhaps I will share the experience with a friend. But wherever the spot and circumstances, I will delight in creating a visual remembrance of my special connection to the beauty of nature.  I encourage you to try this, too!

Kirsten at 2010 Touch Drawing Gathering

Hindu Mandala

My website www.ArtCreatesHope.com

If you walk into any “New Age” bookstore these days there is likely to be a large selection of beautiful books on mandalas, including coloring books and instructions on making your own. Although they have been part of the human experience in every culture for thousands of years, suddenly they are all the rage! Why? Simple or complex, there is something very relaxing and meditative about creating art within a circle. And scientific studies show that creating mandalas can actually help to reduce anxiety and depression. The word “mandala” means “circle”, “unity” or “wholeness” in Sanskrit but the idea is universal.  I think the world needs more mandalas!

Christian Mandala in a cathedral

I’ve been facilitating different mandala workshops for the past thirteen years with a variety of groups, and I find it is truly an art form accessible to all regardless of “artistic ability”. What makes mandalas special is their versatility. My first mandala workshop was with an “after hours networking mixer” with a group of business women who were visiting the art school where I was the executive director. I wanted to give them a sense of what art can do for adults as well as children in a non-threatening way. (Art can seem threatening to some adults who have been traumatized by an insensitive elementary school teacher!) So I presented each of the women with a small piece of watercolor paper, provided some meditative music, and asked them to quietly use the chalk and oil pastels that I provided to create mandalas. I guided them but the instructions were pretty simple. I asked them to use their non-dominant hand to first create their circles with chalk pastel. They could then draw complex or simple shapes or patterns within that. What was remarkable was how the women began to relax and seemed to forget for a few minutes their various business networking demands. Creating mandalas gave them a mini-vacation from their hectic lives…and everyone could do it!
Some staff conference mandalas

Some staff conference mandalas

Years later I used mandalas for a theme at a university staff conference for two hundred people. Everyone from the janitors to the vice presidents was required to create a mandala at the conference, and some people were anxious or resistant at first. Again, the participants used chalk and oil pastels, pencils and markers, but they were also given a piece of black paper, which they could add to their mandala for a three-dimensional effect.  (What people did with their black paper was AMAZING!!) As soon as people started creating the first circle with their non-dominant hand, their art-anxiety seemed to melt away.  They relaxed, became quiet and went into a sort of meditative zone created when they started using their non-dominant hand. A vice president told the group later that he arrived tense but he “felt his blood pressure lower” as he created his mandala. We hung all the mandalas together in a large circular “Mandala Gallery” and it was a great hierarchical equalizer and way for the staff to learn about each other. People LOVED seeing each other’s work, and some of the staff members were so proud of their mandalas that they hung them their offices for months.

Sun Self/Shadow Self Mandala

After attending a workshop in 2002 by Dr. Judith Cornell (learn more about her pioneering work at http://www.mandala-universe.com/) I became impressed with the potential of mandalas to support healing. As a medical social worker facilitating cancer support groups, I have provided a series of mandala-creating workshops, each with a different theme. I always start these workshops with a guided meditation to help participants relax and connect to sources of support and healing. Two of the workshops, “Nature as a Healer” and “Return to the Center and Beyond”, came from Dr. Cornell’s body of work. For those themes we used black drawing paper, white and colored pencils, iridescent oil pastels and stencils, and we focused on uplifting imagery taken from nature or symbols from the world’s major religions. The white lines and colors are luminous against the black paper and remind participants to find hope and faith despite the darkness and difficulty of the cancer journey.  

At the end of each workshop the participants are given an opportunity to share their mandala and its meaning to them. Witnessing each other’s courage, strength and beauty is both powerful and validating. Tears and laughter both flow readily as participants share their hearts and their personal cancer journey with one another, and honor each other and their beautiful mandalas. This January I conducted a mandala workshop at the Children’s Cancer Association’s Caring Cabin for a “respite retreat” for mothers whose children have cancer. It was a simple but powerful bonding experience as the women started their weekend of relaxation and deep sharing. The retreat was organized by Sharla Vellek of Empowering Grace. To learn more about this retreat, please go to Sharla’s blog http://networkedblogs.com/dqfA5 or Kacy Dressler’s blog http://www.joyrx.org/leadership-blog/.

What I tell all of the participants in my mandala workshops is that once they create a mandala, they will start to notice them everywhere….From a flower to the sun, the shape of a circle and patterns within it call us to honor our wholeness, unity and beauty of oneness. And by creating mandalas, we find our own place of calm wholeness, too.

Idea from Dr. Cornell: Create a small (3” x 3”) mandala each day for thirty days as a form of meditation. Each day make it different and post them on your wall. Does something shift within you within that time?

Tree of Life

My website www.ArtCreatesHope.com

When I first dreamed up this project over a year ago and shared the idea with a friend, I could see the apprehension on her face. “Everyone works on everyone’s art? How will that turn out? Won’t it be a mess?” I admitted, “Well…yes, maybe, that could be the result.” But after facilitating this project with two large groups and one small group, I am pleased to say that the results have been far more cohesive and enlightening than I could have imagined. We live in a society which is highly focused on individual achievement and ownership and people are very protective of their personal artistic expression.  It is hard to let go of “ownership of outcome” when doing any project, be it art-based or committee-based. My goal was to create a project that honored the collaborative process and allowed everyone’s talents (whether or not they consider themselves artists) and skills to be honored with a result that might be better than the various individual parts. There is no “one correct way” in creativity, nor is there one correct way in life!

I believe that the key to the success of this project is having both structure and freedom built into the process and asking each person to respond directly to the art in front of them (as opposed to focusing on their own art project). When the participants arrive at the workshop and sit down at their tables, they are greeted by a large variety of art materials and “found objects.” Some of these materials are delightful for folks who like to draw, some are perfect for the collage experts, some work well for three dimensional designs and some are whimsical items that might be used in a variety of ways. The wide-range of materials is an acknowledgement of the differences in how people respond to resources and creatively use them. Not everyone can draw…some people prefer to sculpt…and some are more comfortable using photographic images.

We use LOTS of different materials

I explain that they do not have to use all the materials on their table, especially if the choice feels overwhelming. However, they must use two prescribed items:  a mat board and a small three dimensional item. I give them a set time to work on the start of their project, and then they have to relinquish control and give it to the next person at their table.  As in most collaborative projects in the real world, one doesn’t have unlimited time to work on your part of the project…you have to pass it on to the next person to do their part. As each person works on other people’s art in sequence, they are asked to be in a non-verbal, “artistic conversation” with the other people at the table and respond to what they see with their own artistic voice. One rule is that no one can just opt to “pass” or “be silent”…they must respond to the art in front of them, even if it is only to make a small squiggle. (It isn’t a “conversation” if you don’t contribute your “voice” to the mix; and it isn’t collaboration if everyone doesn’t contribute their efforts and energy.)

Individual artwork which has several "dialogues"

At last the original owner receives their artwork MUCH transformed by the contributions of the other participants. Each person’s work has a bit of “dialogue” from each of the other people at their table. Most participants are both surprised and delighted by how their work has been embellished. While some people are not always thrilled that their original vision has been altered, who in a collaborative experience hasn’t felt the same way?! Now the participants are given a few more minutes to put a final touch on their personal artwork.

Putting the individual artwork together to create a whole

Then the real magic of the workshop happens…All the participants within the table “conversation” have an opportunity to put their artwork together on a black background, which allows them to see that actually their individual artwork belongs together.  The participants work with their individual artwork like pieces of a puzzle, and they discover together the unifying features of their collective experience. Individually each artwork is interesting, but because there are other voices and echoes of themes running through all of the artwork, the collective work is much more powerful. With a great sense of excitement, a collective light bulb goes on as they see how their individual artwork is now part of something greater and more beautiful.  

This experience of the whole being greater than the parts impels the participants to see that this workshop has applications to their collaboration efforts in so many other arenas of life. When we all are part of co-creating the conversation, then the result can be so much better than anything just one voice can express alone!

Testimonial: I wanted to take a minute and thank you for offering this class at PNWD!  What a treat it was!  You were so well organized and the class format adapted well to the short amount of time it had.  The pacing clipped right along without me feeling rushed in the creation of my collage.  The summary/conclusion was really the highlight for me; very thought provoking and a good hands-on lesson for all of us about the web of interdependence in which we all reside!! 

Well done!!  I would take this again if you were to offer it in a longer format, which I hope it can be. 

Thanks so much!! ~Sara H., Oregon~

Examples: Various collaborative artwork from different workshops. (From left to right: “Whimsical Tones”, “Divine Comos”, “Synergistic Chaos”)

 

Gypsy doll

Feathers, brocade, jewels and ribbon festooned the room like a fashion designer’s studio or a diva’s wardrobe. Grown women lavished their handmade cloth dolls with bits of glamour and sparkle with the intensity of creative play that young children have. To the casual observer the afternoon may have looked like a fun art activity, which it was….but it was also SO much more!  It was an afternoon of discovery that inspired the self-identified “artists” and “non-artists” alike to connect with their inner creative spirit in ways that surprised, delighted and moved them. Play is the secret…it is in play that we discover our true spirits as children…and then remember them as adults! All of the women were beaming with pride when they departed with their treasured dolls. But at first there was apprehension and doubt in the room as the participants faced piles of wire, fabric strips, stuffing and thread, and a few women wondered out loud how they were going to proceed.

How did this transformation from apprehension to celebration evolve?

When participants arrived I asked them to pick an Original Angel Card™ and a Goddess Knowledge ®card to represent their intention for the day. My experience is that Angel Cards in particular have an uncanny knack for showing people the exact message their subconscious knows they need to hear at that moment. Sometimes I swear that Angel Cards have a sense of humor! My own card for the day was “Risk” which was perfect for me as I step into being more public with my work (including this blog!). I used the Goddess cards to help the women identify with strong female archetypes and energies. There seems to be so much ambivalence around the Divine Feminine, yet all women embody this energy in one form or another whether or not they are aware of it. Introducing the Goddess cards asks that women reflect on their own sacred spirit regardless of their religious beliefs.

Wrapping, wrapping, wrapping requires patience & humor!

The project has a component at the beginning that requires patience and flexibility of mind and fingers. It is a frustrating start that involves wrapping fabric strips around stuffing and wire, and finding out that perfection is impossible. This is a great metaphor for women as they struggle with body image and self-criticism. Over the course of about an hour, heads, arms, legs, bellies, breasts and bottoms appear on the dolls, but they might be lumpy, or uneven, or a bit of stuffing might be showing here or there. The trick is to wrap tightly and evenly, but to have a sense of humor and relinquish absolute control. The doll is literally birthed into being through their hands, and in the process shows what the doll can become. While sometimes participants know what sort of doll they want to make before they attend the playshop, they often discover the doll they create asks to be something or someone different. (What mother hasn’t had that experience with their offspring!!) So while there is a lot of laughter about the dolls’ “tat-tats” and “booties” it also is about allowing the “spirit” to emerge from the doll as it is created. Several people told me that they had a specific idea of a doll thatthey were going to make and then between the Original Angel Card™ they picked at the beginning and the wrapping of the doll, their preconceived idea vanished and the doll emerged.

Doll ready to be dressed

Japanese doll

I asked participants to bring a small special object to the playshop to incorporate in their doll if they wanted to bring a particular focus to their doll. The special items varied from crystals to small tokens of jewelry from a loved one. Some of the women created dolls that represented their “alternative” selves. Other women created dolls that invoked strength, light-hearted magic or spiritual depth—qualities they wanted to acknowledge or foster. Some participants’ dolls represented loved ones now departed and the doll was a way to honor their ethnic heritage, a particular grandmother or grief over the loss of a child. I offered a wide range of colorful and unusual fabric remnants, ribbons, beads, buttons, feathers, birds, sticks and “found objects” to dress the dolls. Through the process of “dressing” their dolls, the women were given free rein to honor their dreams and also the spirits of those who came before.

By experiencing a potent mixture of play, intention and support, the participants found inspiration and recognition of their own creative spirit. Some left feeling they would approach their work in a new way because of what they learned in creating their doll. Others found they had tapped ancestral strength they had forgotten. And for some of the women, this foray into playful creativity was profoundly healing.

Testimonials: I was eager to make the spirit doll, and was surprised how much fun it turned out to be. There were so many wonderful fabrics and accessories to choose from! The process of creating the doll was inspired by the doll itself, as she began to take form in my hands.  I came with one idea for the doll, and left with a totally different doll that I loved. Kirsten is an amazing facilitator and teacher, and she motivates with insight and sensitivity. I feel I gained a deeper understanding of myself and my inner spirit. ~Kathleen Pfeiffer, MSW~

I really didn’t know what to expect for my first Spirit Doll playshop, other than to come with an idea of what energy I wanted to focus on for my doll. I knew the aspects of change I wanted to implement in her, and that I wanted to honor my heritage as I felt a loss with my own sense of self. I have known Kirsten for many years and have heard about her classes, but the timing never quite worked out for me to attend one. I was so thrilled when she offered another class that I would be able to attend. Kirsten is an amazing facilitator as she taught us to honor the imperfections in our dolls just as we should honor the imperfections that are a part of us. I found her class to be intimate as she was able to guide each one of us, both individually and as a group, through this journey. It was so easy to be creative with all of her support and ideas. The selection of fabrics and embellishments Kirsten provided were so inspirational, and allowed each of us to create a doll as unique as we are individually. The end result was a beautiful doll we were all very proud of to call our own!  ~Brenda L.~

Hello world!

Welcome!

Why this blog? I’ve struggled over the years to explain the work I do and why it is transformative and yet not really an “art lesson”.  I consider myself a facilitator-artist, or an art-midwife, but not a teacher of art. This comes from my belief that inherently all people have artistic abilities which sometimes lay forgotten and maligned in the basement of memories of childhood when they were told they couldn’t draw. One of our most human characteristics is to create endlessly and uniquely in beautiful images and powerful symbols. It is our birth right to be artists—we are whether we know it or not.

 When people forget they are born to be artists it is because they forget that they have access to the part of their brain that is non-verbal, imaginative and extremely intuitive.  They lose their way and become lost in a barrage of lists, tasks and goals. What if the goal was to simply be a “work in progress” and to transform oneself into the being you were born to be? How to even do that? I believe tapping into our non-verbal self holds the key…but how to even talk about this non-verbal process?!

Well, I’m going to try through a series of stories about my work with people all over the world to discover and empower their inner artist. Every day this work continues to amaze and enlighten me as I witness the way art can bring hope, collaboration and healing.  Please feel free to share your own experiences and comment about your journey. We are all co-creating this world together…

My website www.ArtCreatesHope.com

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